![]() 1 at dba, DJs from across the country and around the world throw down goodies for your ears at Hip Drop VII, an all-45 extravaganza of R&B, soul, garage, and deep funk that also serves as the Stomp’s official pre-party. Festivities kick off at the hotel with a daytime record show and conference featuring panel discussions and interviews with artists slated to perform at the nighttime concert series, which runs from 6:30 p.m. The Ponderosa Stomp descends on the Rock ‘N’ Bowl and the AC Hotel on Oct. This year, for example, Stomp honors aforementioned rockabilly artist Head and swamp pop godfather Warren Storm, soul singers like Brenda Holloway, and Chicano artists from the 1950s and ’60s. I think it informs a lot of the Stomp and what we do.” “That’s not to say we don’t go all over the place musically,” he continues. While we do book some of the Northern soul we tend for them to be more influenced by Stax,” Padnos says. “With soul singers, we probably go more to the deep soul guys. “Everybody wants raw blues guitar players crazy R&B guys, we want rockabilly to have a raw, nastier side, and with the garage, it needs to have that really snotty, hard, fast thing. A selection committee of about five or six people helps choose the acts for the biennial Stomp, though Padnos noted in 2013 (ahead of the last Stomp) that “a lot of it still springs out of our collections.” Photo courtesy Ponderosa Stomp. “Underrated Architects” of Music are Back in the SpotlightĪs the event continues to evolve, it remains rooted in its original purpose of putting the great, underrated architects of American music back in the spotlight. Ike” Padnos, an anesthesiologist with a special affection for esoteric jazz, soul, rockabilly, blues, and swamp pop, the three-day music blitz has evolved from a production inspired by Padnos’ wedding-fueled desire to book some rare, great music into one of the most unique festivals in the country. ![]() The twelfth Ponderosa Stomp – a biennial event billed as a celebration of the “unsung heroes” of American music – had humble beginnings as an almost experimental attempt by some New Orleans vinyl freaks to see live performances of “the best music you’ve never heard of.” Helmed by Ira “Dr. ![]() And when ZZ Top’s Billy Gibbons debuted his new cover of the 1965 Roy Head tune, “Treat Her Right,” on Rolling Stone in September, he gave a shout out to the Stomp for booking Head with an “over-the-top” backing band for its 2015 lineup. In this report, the theoretical and numerical aspects of the model are described briefly, user's guides for using the model are given, and a numerical example is presented to illustrate the use of the model.Yo La Tengo’s Ira Kaplan recently called New Orleans’ Ponderosa Stomp “revelatory” and “incredible,” counting the multi-day event as one of ten major musical influences in a recent interview with the New York Times. The discretized Poisson equation for pressure is solved implicitly by means of a skyline solver. A modified Galerkin finite element method (GFEM) with eight-node isoparametric hexahedron elements (four-node quadrilaterals in two dimensions) is used more » for spatial discretization, and a modified forward Euler method is employed for time integration. ![]() ![]() To accommodate large density changes and yet preclude sound waves, a generalized anelastic approximation is employed (i.e., the fluid is considered to be basically incompressible but to have variable density). The model is based on solving the time-dependent, multidimensional conservation equations of mass, momentum, energy, and species. FEM3 is a numerical model developed primarily to simulate heavy gas dispersion in the atmosphere, such as the gravitational spread and vapor dispersion that result from an accidental spill of liquefied natural gas (LNG). ![]()
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